London: Oxford University Press, 1968. And yet, at the same time, she does moves; she is not motionless, she moves with the movement of the whole world, as it turns in space, and this movement she almost seems to feel—certainly the poet feels it for her. Her charm and loveliness was enough to devoid him of his reason. Time has no effect upon her. Our total response is not one of paralyzing grief as we realize that the beloved is dead.
How does the poet imagine her to be, after death? Or does he see her now as a part of nature? John's College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry and his political sensibilities. In the second and final stanza, however, we learn that she has died. The poet, then, had none of the fears that human beings have about the possible death of their loved ones: he had no human fears. A slumber or sleep or state of unawareness sealed off the poet's spirits, kept him, in other words, from a normal awareness of the realities of life. The poet says that his soul has been sealed by the deep sleep of a lovely child whom he loved very much. And yes, the poem can certainly be made to fit this reading.
How does the poet imagine her to be, after death? She has become an inanimate part of the earth as she is rolled around with rocks, stones, and trees in the daily revolution of the earth. Thus, we can conclude that the poet's feelings are ambiguous. The very last line of the poem is especially interesting, because the speaker lists both rocks and stones, which are essentially the same. He imagines that it is a point of relief and peace for him if someone near and dear becomes a part of nature after hisfher death. In the second stanza, Lucy has indeed become a thing—a thing of no motion, no force.
Wordsworth's earliest poetry was published in 1793 in the collections An Evening Walk and Descriptive Sketches. Ncert solution class 9 English includes text book solutions from part 1 and part 2. On April 7, 1770, William Wordsworth was born in Cockermouth, Cumbria, England. Now earthly years were no longer a matter of concern for her because they cannot make her older now. Were the poet to have said that a sleep sealed his spirit, the suggestion of death might have been too powerful to counteract in subsequent lines. Retrieved on 4 October 2008.
In the first line, he refers to a 'slumber' which sealed his spirit. The passing of time will no longer affect her, says the poet. The heavy rolling of its syllables suggests the rolling of the earth, as the more usual word 'daily' could never have done, and Its very unexpectedness adds immeasurably to the weight and gravity of the poem. Which lines of the poem say this? The initial connotations, then, are not of death, but of the entirely pleasant state of slumber untroubled by fears of any kind. For a few brief moments all of our consciousness has been focused on the various elements of a moving and meaningful experience.
In this poem, the poet seems to be immortalizing her death by saying that she had no human fears. Wordsworth's admirers, that it is a sequel to the other deep poems that precede it, and is about one Lucy, who is dead. Wordsworth's mother died when he was eight—this experience shapes much of his later work. In which lines of the poem do you find your answer? Answer - The poet thinks that she is now a part of nature. Which lines of the poem say this? On her death, he did not experience any human fears. From Blake to Byron: The Pelican Guide to English Literature Vol.
Her personality used to work like a drug on the poet's mind and the girl used to appear to him immortal. Or does he see her now as a part of nature? In this poem the girl Lucy has reached the farthest point of disembodiment. The sun has long been set, The stars are out by twos and threes, The little birds are piping yet Among the bushes and trees; There's a cuckoo, and one or two thrushes, And a far-off wind that rushes, And a sound of water that gushes, And the cuckoo's sovereign cry Fills all the hollow of the sky. Or does he see her now as a part of nature? It has gotten 614 views and also has 4. We are made to think and to feel; we are shocked; we are aware of a fundamental irony of life; we realize the power of grief and even feel grief; and we respond to the structure of the poem, its arrangement of its various elements, its beauty. Rather he imagines her to be a part of nature, being buried under the earth. The poet says that when Lucy was living, he was so lovely, fresh and full of vitality that he could never for a moment think that she will ever die.
It is a universally accepted fact that immortality is not affected by time or the physical world. He takes consolation from the fact that she is still alive in the nature and is beyond life's trials. This, of course, is true of all dead people, but by stating the obvious the speaker helps the reader to imagine the way the young woman once was: full of life and vigor. Indeed, he seems to have built her up in his mind into a goddess, untouched by age and mortality. Which lines of the poem say this? The diction, likewise, is simple, except for the word 'diurnal', which contrasts with those around it and helps to lay stress on the heavy, blow-like rhythm of the final line, where both the finality of the poet's loss and the totality of Lucy's absorption are reinforced by the rhythm. It is always associated with misery and pain.
The poem is comprised of only two four-line stanzas, and yet a great deal happens in this narrow space. While living in France, Wordsworth conceived a daughter, Caroline, out of wedlock; he left France, however, before she was born. He did not feel any fear. New Haven: Yale University Press, 1967. In only eight lines, Wordsworth conveys, with absolute conviction, intensity and compression, the whole of the human situation posed in 'Three Years She Grew', and the whole of the concept of Lucy as integrated with nature. Many scholars and literary historians have offered theories as to who Lucy was, but her true identity remains a mystery.
In his sparing, careful use of such long and rhythmic words. She is defined wholly by negatives; that is, we do not know who she was or what she was, only that she is no longer. The passing of time will no longer affect her, says the poet. William Wordsworth: A Poetic Life. She has become a part of the day-to-day course of the earth: No motion has she now, no force: She neither hears nor sees, Rolled round in earth's diurnal course With rocks and stones and trees.